The
expression “organisational culture” was for the first time used by Pettigrew in
the late 1970s (Pettigrew, 1979), ever since a number of approaches have indeed
been developed and adopted by different academics and practitioners to
investigate, assess and review corporate culture. The largest part of these
approaches can be essentially classified into two main different groupings:
those who explain organisational culture having recourse to metaphors and those
who see organisational culture as an “objective entity” (Thornhill et al, 2000).
Using
metaphors actually represents a fascinating and to some extent unconventional,
original way to approach organisational culture, definitely worth the efforts it
requires. In
general, metaphors are used to provide emphasis or originality to a concept or
a particular aspect of an idea which the speaker wants to express. Phrases like
“life is a game” and “the world is a stage” clearly represent expressions by
means of which the speaker aims at drawing the recipient attention to the
circumstance that in life one can either win or lose or that sometimes people
have to act as on a stage. Defining the world as just the world, for instance, would
definitely be boring, flat and static (Morgan, 1998).
The scope of using metaphors
can however be more comprehensive; metaphors can be in fact seen as a process
by means of which people explain and try to understand a phenomenon on the
basis of their precedent experience related to a different phenomenon, or in
the Morgan’s words “to understand one element of experience in terms of
another” (Morgan, 1998).
One
of the most typical benefits provided by metaphors is indeed that to help their
users to approach complex issues and explain these in a simpler way, ultimately
providing meaning to phenomena whose interpretation is not so immediately obvious
(Morgan, 1996). This process shows to be particularly effectual because metaphors
usually attract individual attention to their most important elements and
characteristics (Dickmeyer, 1989).
Metaphors also show to be
particularly useful to put order and clarity in those circumstances dominated
by vagueness and dubiety, “the more ambiguous a situation is, the more
important metaphors become for ordering the situation and making sense of our
organisational experience” (Boland and Greenberg, 1988).
Metaphor
basically is the result of each individual imagination, of what an individual
notices the most or wants to emphasise the most; different individuals can thus
represent the same phenomenon having recourse to different metaphors according
to the different viewpoint. Indeed, the same individual might potentially use a
different metaphor, at different times, to represent the same occurrence depending
on his/her changing feeling and state of mind.
Multiple
or even inconsistent metaphors relating to the same phenomenon actually prove the
metaphor tendency to focus on different aspects or nuances of the same circumstance
(Lakoff and Johnson, 1980). The fact that different individuals may use diverse
metaphors to describe the same organisation can be hence deemed as absolutely
normal, considering that one organisation can be seen or can be perceived in
different ways at the same moment by different individuals (Morgan, 1998). The
change of metaphors or the introduction of new ones basically express a
different, altered perception of how a particular phenomenon is perceived or
experienced.
Many individuals use
metaphors to describe the image and feeling they have about their organisation.
These metaphors also influence the way individuals treat the information they
receive, insofar as it can be said that conflicts within organisations are
often caused by people holding different metaphor about their organisation. Each
person is also likely to behave according to his/her own metaphor (Hamburger
and Itzhayek, 1998). By means of metaphors, after all, employees give meaning
to their organisation (Smircich, 1987) and can practically express their
feeling, not always necessarily positive, in an illustrative and imaginary fashion.
Businesses dominated by high level of internal competition become thus “battlefields”,
those where a climate of suspicion dominates “spy rings” or “secret police
forces” (Hamburger and Itzhayek, 1998) and those where things are perceived by
individuals going pretty bad “sinking ships” or more recently “Costa
Concordia.”
Findings
of a study carried out by Gibson and Zellmer-Bruhn (1998, 2001) revealed that
in order to promote teamwork, organisations have very often recourse to figures
of speech inspired to the world of sport, insofar as they identified the
work-team-as-sports-team metaphor.
At
Eastman Chemical, for instance, managers are called “coaches”; at Wilson
Corporation, teams having progressed the most in term of process improvement
are awarded during the annual reward and recognition dinner: gold, silver and
bronze achievement medals.
At Sabre Inc. North America,
where figurative language is clearly inspired by cycling, the team training
programme is called “Tour de teams.” Teams, passing through different
milestones, progress along a route of programmes where the leading team is
awarded the “yellow jersey” (Gibson and Zellmer-Bruhn, 1998, 2001).
The
use of metaphors and figurative language is actually constantly growing. Also the
John-Lewis partnership can be indeed considered as a metaphor where every
employee is not called in fact employee but partner just to stress and foster
the idea that each member of the partnership is deeply involved in the running
of the business, in its success and, eventually, misfortune.
Organisations as culture metaphor
Morgan
(2006), who arguably is the most authoritative advocate of the use of metaphors,
maintains that organisational culture is a living phenomenon which has to be
intended as a continuous, conscious process aiming at creating meaning and
better communicating and sharing organisational vision; whereas cultural
metaphors help employers to shape reality (Morgan, 1996).
As
stressed by Gerritsen (2006), metaphors provide to organisations and
individuals “a sense of direction, history and values.”
Albeit it would prove to
be a pointless exercise trying to discern good from bad cultures; as a general
rule, a good approach to develop and shape a consistent and effective organisational
culture should aim at establishing a cohesive and unifying culture on the basis
of the firm shared values, beliefs and ideas consistent with the ideal and
adequate focus of the business (Peter and Waterman, 2006).
Metaphors
as such may help explaining what the most important objective of corporate
culture is (Morgan, 2006): quality, customers, staff or what else? Imaginary
figures basically help employers to put the message across and share reality,
very often by means of short slogans or mission statements summarising the
meaning and values behind them. Examples of slogans expressing organisational
shared values are “IBM means service”, “Never kill a new idea – 3M, “Sell it to
the sales staff” – HP (Morgan, 2006).
The
metaphor organisations as culture, hence, help business leaders to create a
vision enabling them to identify and show a clear direction to attain
organisational objectives, which followers can understand and ultimately
evaluate (Morgan, 2006).
The
circumstance an organisation has a clear direction means that it has a pre-identified
plan and that its execution is constantly monitored in order to find out whether
divergences occur and eventually take appropriate action to redress the
navigation route. This approach is even more valuable whether changes of route
need to deliberately be operated. In such circumstances the cooperation of
everybody is clearly of paramount importance and figurative language can practically
help business leaders to effectively communicate with followers and make them
understand the importance of cohesiveness and unity (Van Engen, 2008).
As for the process culture unfolds,
Morgan (1997) posits that it is essentially developed and shaped by the
organisations’ members. The Author, however, acknowledges the existence of a certain
relationship between organisations and their environment, and maintains that
the link between an organisation and its environment is socially constructed
and that “our environments are extensions of ourselves.” Practically, employers
arrange and organise businesses environments as they organise their internal operations;
“the beliefs and ideas that organisations hold about who they are, what they
are trying to do, and what their environment is like have a much greater
tendency to realise themselves than usually believed” (Morgan, 1997).
Rather
similarly, Weick (1979) maintains that, to the development of organisational culture,
the context plays an important and remarkable role.
Closer
to Morgan’s position, Able and Sementelli (2005) suggest that organisational
culture varies continuously by reason of the changed behaviour of all of the
individuals concerned. Additionally, they consider that these changes cannot
either be anticipated or controlled by employers.
Differences in the process
throughout which organisational culture develops notwithstanding, there is a
widespread agreement on the idea that corporate culture is shaped and improved
by means of figures of speech.
Business
leaders clearly aim all at shaping and developing quality culture, but a
problem remains on how to measure it. Culture cannot be measured in a scale
because it essentially is a form of lived experience (Morgan, 1997), but it can
be assumed that a quality culture is actually attained when a positive morale
amongst leaders and followers is noticed. Metaphors support organisational
culture clarifying all the different concepts associated with this and enabling
conceptual comparisons so that the value of the idea behind each metaphor is
clearly identified. When a relevant number of individuals within the business
correctly associates the idea of the organization with its metaphor, which
entails that the concept has been understood, this means that a healthier
environment has been realised (Van Engen, 2008).
Effectively
mastering figurative language can help both managers and leaders to improve
their creativity and better make understand employees the different facets
associated with organisational life (Morgan, 1986).
Despite
Morgan (2006) posits that metaphors influence the way individuals perceive and
forms their opinions about values and beliefs, he also maintains that
manipulation within the working place produces negative effects over
individuals. In order to explain this idea and the way organisational culture
can exert control over an organisation missing to reflect “human character”,
Morgan resorts to the metaphor of “corporate newspeak”, which lead to
resentment, mistrust and hence resistance.
Constant growing interest
for figurative language notwithstanding, Pinder and Bourgeois (1982) have
expressed some reservations about the use of metaphors in organisational studies,
more in particular for fear that business scholars could be derailed from the
domain of organisational experience they aim at investigating and knowing.
Smircich (1983), who recognises the validity of the warning launched by these
Authors, however, suggests that rather than avoiding figures of speech, efforts
should be directed at critically investigating and examining the way human thinking
is actually influenced and constrained by its choice of metaphors.
The most widely used metaphors over the years
There
are indeed many ways to represent organisations by means of metaphors. Yet, the
same metaphors can be interpreted in a different way according to the features
or aspects individuals want to emphasise the most when having recourse to figures
of speech to depict their organisation. Amongst them the most widely used are
the following:
Organisations as machines
This
metaphor, spread during the industrial revolution, basically aims at
underscoring the importance of organisational structure and efficiency (Morgan,
1980).
Organisation like a machine metaphor is mostly used by managers when they want to express the idea of their units “running smoothly as a well-oiled machine” (Pondy and Mitroff, 1979; Morgan, 1980 and Koch and Deetz, 1981). The concept associated with this metaphor is not necessarily positive. Morgan (1998), for instance, deems Frederick the Great of Prussia the one who, in practice, firstly used this model in that he organised his army as a model of mechanistic organisation where Prussian soldiers, in a consistent fashion with the “scientific management” approach developed later by Frederick Taylor (1856 – 1915), should fear their own army officers more than their enemy.
Ideas usually associated with this figure of speech are: efficiency, order, standardisation, measurement and control, power source, breakdowns and repairs (Koch and Deetz, 1981).
Organisation like a machine metaphor is mostly used by managers when they want to express the idea of their units “running smoothly as a well-oiled machine” (Pondy and Mitroff, 1979; Morgan, 1980 and Koch and Deetz, 1981). The concept associated with this metaphor is not necessarily positive. Morgan (1998), for instance, deems Frederick the Great of Prussia the one who, in practice, firstly used this model in that he organised his army as a model of mechanistic organisation where Prussian soldiers, in a consistent fashion with the “scientific management” approach developed later by Frederick Taylor (1856 – 1915), should fear their own army officers more than their enemy.
Ideas usually associated with this figure of speech are: efficiency, order, standardisation, measurement and control, power source, breakdowns and repairs (Koch and Deetz, 1981).
Organisations as organisms
In
the 1970s the image mostly used by managers to describe their organisation was
that of organisation as an organism. Indeed, this metaphor is actually prone to
be interpreted in several ways too. Clancy (1989), for instance, associates
this conceptualisation with the aim to represent organisations as having life
and purpose of their own, whereas other Authors link this metaphor to the
challenges faced by the organisation to compete and survive in their
ever-changing and evolving market, which in case of failure can lead to death
(Lawrence and Lorch, 1967; Burns and Stalker, 1961; Henry and Sutton, 1986).
Concepts
typical of this metaphor are: adaptation, life cycles, needs, evolution,
survival, health and illness (Yousefi, 2005).
Organisations as brains
The metaphor
of organisations as brain was developed by Morgan (1997) to emphasise the
complex activities carried out by organisations. Brains generate ideas and
thoughts and store data which are made available when required. Yet, the brain
is a never idle, ever-changing and evolving organ. Brains work and are creative
even during rest (Van Engen, 2008). The term brainstorming is actually associated
and developed with the use of this figure of speech.
Ideas usually associated with the organisations as brain metaphor are: learning, processing, mindset, intelligence, feedback, knowledge and networks.
Ideas usually associated with the organisations as brain metaphor are: learning, processing, mindset, intelligence, feedback, knowledge and networks.
Organisations as political systems
Despite
politics was originally intended as a process enabling groups of people to find
agreement on controversial subjects where conflicting interests needed to be
set and was, hence, essentially considered as a process aiming at creating
unity and cohesion, this metaphor actually has not a positive inference (Hamburger
and Itzhayek, 1998).
The reference, here, is in fact to the authoritarian approach used by managers at employees’ expenses, who on the other hand complain that their managers do not listen to them.
The
concepts more widely associated with this metaphor are: interests and rights,
hidden agenda and backroom deals, alliances, party-line and censorship
(Yousefi, 2005).
Organisations as psychic prison
This
metaphor, which has gained a particular relevance with regard to change
management, was developed by Morgan (2006) to stress the relevance which unconscious
influences play within organisations. The reference is to the serious risk
managers run, because of unconscious factors, to remain literally trapped or
imprisoned in their own way of thinking (Renz, 2009). In the words of Morgan
“the last thing a fish is likely to discover is the water it is swimming in”
(Morgan, 2006).
With particular reference to change management applications, Morgan (2006) stresses the importance for managers to recognise the need for change in order to gain their full support to successfully implement it. Enabling business leaders and managers to identify both rational and irrational behaviour toward change, the psychic prison metaphor creates the right environment to viable change and innovation (Renz, 2009).
Amongst
the other culture-based organisational metaphors developed over the years it is
worth mentioning also the: master detective (Manning, 1979), militarism
(Garsombke, 1987), drama and family (Smith and Eisenberg, 1987), mistress and
symphony orchestra (Clancy, 1989), jazz band and missionaries (Aking and
Schultheiss, 1990) metaphors.
Longo, R., (2012), Using metaphors to explain and shape Organisational
culture; Milan: HR Professionals [online].